Monthly Archives: June 2016

Nikon D3 + Nikkor 50mm f1.8D first portrait

Well I’ve just bought my first Nikon after looking over the fence at the dark side for some time. I’m not unhappy with Canon or Fuji, I’m simply interested in satisfying my curiosity by exploring Nikon. I choose the D3 because its (1) built like a tank (2) it was mint which is incredibly hard to find (3) very low shutter count (4) same sensor as the D700 but better ISO and buffer/FPS (5) and the files are smaller as its only a 12 mp FF camera – larger pixels on bigger sensor so high quality and easy to deal with in LR. Here’s my first portrait shot raw edited in LR. Click for bigger.


High ISO example of Canon 7dii + 70-200 f4 IS lens

See the following examples, many of which you’d rarely use – all taken with Canon 70-200mm F4 IS – no flash. Settings on the pictures. ISO 2500 to ISO 25600. Click for bigger.

iso2500 iso6400 iso12800 iso25600

Canon 7dii + 70-200mm f4 and bounce flash for conference shoot

Do you really need a full frame body and f2.8 lens to shoot a conference…..probably not so long as you can use bounce flash. See examples and click for bigger.

180A4406 180A4401 180A4099 180A4171

Fujifilm XT10 with adapted Minolta MC Tele Rokkor 135mm f3.5 – processed Iridient Developer

I’ve become quite interested in the manual focus vintage lens craze sweeping the mirrorless camera genre. After reading several articles online and visiting some Flickr pages (although they are few and far between for vintage lenses), I decided to see what all the hype was about. After researching the market via eBay for several weeks I decided upon my sixth purchase…..the Minolta MC Tele Rokkor 135mm f3.5 lens with an adapter to mount on my XT10. This particular lens was released in the late 80’s comprising of 4 elements in 4 groups, aperture from f3.5 to f22, minimum focus distance of 1.5m, made of metal with metal mount and weighing about 450g. This is actually a small lens for its focal distance.

When the lens arrived it was in immaculate condition, just as the seller had promised – phew. Many old lenses like this one can often have nasty fungus, haze and scratch surprises so you need to shop carefully from people who have good a good seller rating and have experience in selling and rating lenses. Generally sellers from Japan and Germany are highly trusted and value their feedback fiercely. This one I bought from a seller in Japan.

The lens was quite easy to mount onto the camera, and I lucked out on a K&F Concept adapter also on eBay – highly recommend as solid and a snug fit. It’s important to remember to switch the camera over to “use without lens” in the menu otherwise it won’t work. There is no auto focus. Scary huh! Well after some practice you can learn to focus quickly thanks to the XT10’s focus peaking. Really it doesn’t take all that long. A word of caution – you will need quite a lot of practice to nail the focus for moving subjects….and for moving subjects I’d still prefer to use Fuji’s excellent AF lens lineup. But I suppose you could set your aperture to say f8 and use a fast shutter speed for capturing fast street shots, just like zone focussing.

So why bother? These older lenses are heavier because I believe there’s lead in the glass….so what? Well lead is a supposedly a great conductor of light and colour to the sensor that you cannot find in modern lenses. This theoretically means you get finer detail and more nostalgic colours – to my eye anyway. Secondly the cost. This lenses was about $50 AUD. Some you’ll find cheaper, you may even luck out at garage sales or pawn brokers and find a bargain. Thirdly they are small and easy to focus. The focus throw is firm without being tight, and easily manipulated between the thumb and index finger for smooth operation. Thirdly less elements in less groups = less possibly of light being distorted through the lens.

Without further ado here’s some sample shots. The Minolta MC Tele Rokkor 135mm f3.5 renders reasonably sharp, but its real strength is its colour rendition. I’m not going to list the EXIF data because the aperture won’t register (no electronic connection) and the pictures speaks for themselves. All processed raw files in Iridient Developer – OMG the best Fuji raw converter I’ve used. If you shoot Fuji raw files you must get Iridient Developer, just sharp detail. Click pictures for larger view. It’s miserable weather here today so the pictures were all low light at higher ISO’s thus more noise. Enjoy.

untitled-2 untitled-3 untitled-4 untitled-5 untitled-6 untitled-7 untitled-8 untitled-9 untitled-12 untitled-13 untitled